PROGRAM
MONDAY, 6 June
17.00 – 20.00 Meeting of the SIBMAS ExCom
TUESDAY, 7 June
9.00 – 10.00 Registration
10.00 – 10.30 Welcome and Introduction
- Address by the Director of PTI Elżbieta Wrotnowska – Gmyz / Jadwiga Majewska
- Presidential address by Alan Jones & Nic Leonhardt (SIBMAS)
- Navigating through the Conference: Jadwiga Majewska
10.30 – 11.30 Opening Keynote lecture
- Prof. Andrzej Szczerski, Poland, The National Museum in Kraków,
Exhibitions, narratives and the institution – the case of the National Museum in Kraków
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11.30 – 12.00 Coffee break
12.00 – 14.00 Plenary Session
Chair Maria Babicka
Collecting Theatre in Times of COVID I
- Maria Thompson, United States
The Festival International de Artes Cênicas da Bahia 2021 (FIAC Bahia) and its digital trans-formation during the pandemic year
Read more - [ONLINE] Bernice Kwok-wai CHAN, Hongkong
Creating New Memories with Historical Theatre Photography – A Reflection on the Exhibition of “A Snap beyond Borders”
Read more - Negar Tahsili, Germany
What Is the Day Today, Mr. Locke?
Read more - [ONLINE] Seiko Shimura, Japan
Reflections on the Traditional Performing Arts Project: Documenting Osaka’s Intangible Cultural Heritage under COVID-19
Read more - [ONLINE] Drew Barker, United States
How a Library Exhibit Space Pivoted Towards People, Puppets, and Collaboration During a Pandemic
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14.00 – 15.00 Lunch Break
15.00 – 17.00 Afternoon session
Chair Maria Babicka
The Visitor as Researcher as Audience as User
- Alexandra Beraldin, France
Participatory Museum Experiences: Performative Social Action in Museum Spaces
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- Dita Lánská, Czech Republic
Specialisation vs. Public: opportunity to connect
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17.00 Sightseeing at PTI
17.30 – 18.30 Keynote Lecture Online
Chair Maria Babicka / Alan Jones
- Dwandalyn Reece, United States
(Curator of Music and Performing Arts at the Smithsonian Institution’s National Museum of African American History and Culture)
Welcome party at PIT gardens
WEDNESDAY, 8 June
10.00 – 11.00 Keynote lecture
- Prof. Iris Lana, Israel
Archiving Dance by the State: The Politics and the Practices
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11:00 – 11:30 Coffee break
11.30 – 13.00 Plenary session
Chair Jadwiga Majewska
Archiving the Unpreservable
- [ONLINE] Rüya B. Kalıntaş, Turkey
Narrating the Past on the Stage from a Minoritarian Perspective
Read more - Elvyra Markevičiūtė, Lithuania
Archive of the Lithuanian Drama Festival “Atgaiva”
Read more - [ONLINE] Rime Touil, France
The processing of Amos Gitai’s digital archives: a pioneering case at the Bibliothèque nationale de France
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13.00 – 14.00 Lunch break
14.00 – 16.30 Parallel sessions
Panel I
Museums as Stages
Chair Joanna Biernacka
- Sara Herczyńska, Poland
Historic house museums as spaces of reenactment
Read more - Alexandra Souther, United States
The Deconstruction of Reality: How Installation Art Creates a Performative Atmosphere in the Exhibition Space
Read more - [ONLINE] Catalina González Melero, María Jesús Bajo Martínez, Spain,
Centro de Investigación y Recursos de las Artes Escénicas de Andalucía / Research and resource Centre for the Performing arts in Andalusia
Read more - [ONLINE] Naoko Kogo, Japan
Reenactment and documentation of corps of Ishinha in Osaka as Performing Arts Museum
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Panel II
Performing the archive
Chair Jarosław Cymerman, Library
- Simone Dragone, Italy
Representing the identity of a theatre laboratory. From the archive to the digital storytelling
Read more - Marzenna Wiśniewska, Poland
Performing Theatre Archive: The Project „Dorman. Open Archive”
Read more - Gabriel Smith, United States
Gustav Mahler at the New York Philharmonic: Pandemic Programming Through Online Collections
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THURSDAY, 9 June
09.30 – 11.00 Plenary Session
Redefining Roles – of Curators, Museums, Archivists
- Dominique Dewind, Belgium
Some reflections on the role of the archivist-mediator in today’s and tomorrow’s world: An example of the treatment of a famous Belgian play, The Magnificent Cuckold, by Fernand Crommelynck, through several different archival fonds
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- Alienor Fernandez, France
The territories of archiving work on the company Louis Brouillard
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- [ONLINE] Camille Intson, Canada
Draw Me Close
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11.15 – 11.30 Coffee break
11:30 – 12:30
Politics of Archiving
Chair Alan Jones
- Franziska Voß, Christine Henniger, Germany
Digital Spaces of memory – (political) discourse, its consistency and contradictoriness in data presentations of performing arts collections
Read more - Gilberto Conti, Portugal
3 Kings Celebration – The Urban Rite in a Rio de Janeiro slam( favela) – facing low support from the state, crime, religious intolerance and poverty
Read more - [ONLINE] Hongliang Zhou, China
From Warsaw to Beijing: Krystian Lupa and His Theater Production in China.
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12.30 – 12.45 Coffee break
12:45- 14:15
“Censored!”
Chair Alan Jones
- Harriet Reed, United Kingdom
Censored! Curating Contemporary British Theatre
Read more - Aurelie Mouton-Rezzouk, France
Exhibitions & “rights to memory”. Visibility and recognition issues in the Performing arts sector
Read more - Annelis Kuhlmann, Denmark
First Danish Hamlet in Denmark (1813)
Read more - [ONLINE] Libby Smigel, United States
Resurrecting Uncomfortable Contradictions in the Performing Arts Archives
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14.15 – 15.15 Lunch break
15.15 – 16.00 SIBMAS General Assembly
- Guided visit to the Theatres – at 4 p.m. The Royal Theatre and Royal Palace on the Isle at Łazienki Gardens
VISIT WEBSITE - or the Polish National Opera
VISIT WEBSITE
18.00 – 19.30 Meeting of the ExCom Members (Library IT)
FRIDAY, 10 June
Day trip to Lublin Departure 9.00 Return 21.30
- Exhibition of Tamara Łempicka’s paintings
VISIT WEBSITE - 15th century byzantine frescoes in the castle chapel
VISIT WEBSITE - Visit to Brama Grodzka
VISIT WEBSITE - Circus performance
VISIT WEBSITE
